Category Archives: Indie Music

Dan Philips; Part 3

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And with “Old Hairy Eyebrows,” we’ve saved the best for last. Here’s a queasy sea shanty tale about a man lost at sea. It begins with a slow motion image of an Egyptian boy laughing amidst the waves. Let go the aft. After this talispin, we visit the hard-snorting crew, keeping us afloat. And then the heart-breaking bridge, which is worth quoting at length:

If you bob among the waves, the bonny bonny waves
And if you’re last among the lost you’ll be lost the same.
If you bob among the waves, the bonny bonny waves
And if you’re lost among the lost it ain’t the same as being saved.

As our singer leans left, weaves right, and searches the horizon, we wade along, beautiful losers all.

Dan Philips: Old Hairy Eyebrows

Sleep; Part 3

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Last Thursday was filled with events and nuanced moments. Looking back, I see it as a dot-to-dot. First dot: people lost their jobs. Next dot: working until 10:00 PM. Next dot: the need for release, and the chance meeting with a few tiers of bosses, all with beers in hand. The rest of the dots came too quickly to connect.

There is no sense behind this post. I’m only six or sixty dots in, and the image to be revealed is a changed world. I just don’t know what that’s going to look like. There’s a restaurant two blocks from my house, and I’m there often, just staring down at the copper piping underneath the glass of the bar surface (pictured above). I fight insomnia at night and exhaustion in the morning. I still have a job.

Back to Thursday night. Like a series of nonsensical dreams, I popped in and out of numerous amalgamations of scenes: I ran into another ex-coworker who was laid off months before, just walking down the street. I made it into a cab twice. Then I was at Butts and Betty’s. I was the listening ear for a man coping with a loss. A man named Paul introduced himself and told me his whole life story on the spot. Then someone was asking for money. Then I was solving the Rubik’s cube in my neighbor’s living room, pontificating about the changing world we live in. I was fading in and out. I was hypnogogic. I was Mr. Sleepyhead.

Passion Pit: Sleepyhead
Passion Pit: Sleepyhead (Landau Wake Up Remix)

New Vivian Girls

Catbirdman with a Vivian Girl

Catbirdman with a Vivian Girl

The Vivian Girls make an awful racket, and they’re not stopping anytime soon. Check out this taster from their upcoming album Everything Goes Wrong, due out September 8.

Vivian Girls: When I’m Gone

Dan Philips; Part 2

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This fantastic shot of a desolate Baltimore city street was taken by Patrick Joust, and is used with his permission and patience. Thanks to him; please see more of work, starting here.

The first five years of our lives define our path, irretrievably some say. I work with young adults that have been pretty well screwed in the nature and nurture department. You’d be surprised how everything from the presence of a father to the presence of lead paint can affect a child’s development. Studies show that crime spreads with the migration of criminals. Studies show that America is a dangerous country to live in. Studies show that the human brain is an organ. Studies show nothing of morals.

These days, I’d trade my skin for a clean escape. Dan Philips is a man who once wrote a song called “Dreams of Vagrancy;” perhaps he felt the tenuous nature of a priveleged white upper-class existence. Perhaps he felt the ghastly lure of addiction round the unseen corner. Perhaps he felt his blood beat boldly in his veins. Dan Philips is a man of the blood.

Without wanting to reveal all his cards to the prying public, I will volunteer this information: Dan Philips was nurtured by caring, educated stock. He was encouraged to become whole, and he was swamped in ol’ time religion (as was I). Maybe that revival tent seemed dangerous. Maybe the long stare of the evangelist cast the same spell of the cold precision of the mobster. In “Grunts N Groans,” Dan lays out the human animal in its barest form, and connects the dope fiend to the slain believer. He pulls no punches when it comes to human motivation, and our reptilian brians fight or flee when faced with hunger and entrapment. Dan’s music pits the human animal against the elements, and divine grace is legendary and fleeting at best. The best we can hope for in Dan’s grim world – the fragile we, with outstretched arms – are cagey parental expressions of love in the form of long stares and coded silences.

“Dan’s grim world:” that sounds patronizing and cheap. This is a rich and traveled man. He and his old hairy eyebrows (see tomorrow’s post for more on that) have poured more love and grace into the grim world than almost any other saint I know. He is both welcoming and private, and I fear I am intruding with my words. I hope to go on more in this direction tomorrow, but for now let’s stick with the music. Have a listen for yourself, absorb the country piano and the backwoods drawl, and contemplate your own private life of crime and your own brushes with calamity.

Dan Philips: Grunts N Groans

Dan Philips; Part 1

John Martin: "Destruction of Sodom and Gomorrah" (1852)

John Martin: "Destruction of Sodom and Gomorrah" (1852)

Dan Philips writes about “Calamity,” but it strikes me that the disasters alluded to are either feared, half-remembered or illusory. He paints a barren scene of Old Testament wandering and scorched earth, and you can almost taste the dust in your teeth, and you can almost feel the textured canvas and the oils. It feels like oral tradition handed down beyond memory, but told by a new prophet. Like Josiah breathing life into the recovered scrolls of Deuteronomy, but without the forced public acceptance, and without any received application or interpretation. Dan Philips is the voice of hunger, and his words are half-starved. “Here’s having hunger that scorns food.”

As long as I’ve known him, Dan has had the ability to stare down the most harrowing corners of existence more than any songwriter I’ve known. He continues to inspire and stupefy me.

I can’t quite qualify exactly what Dan’s relationship with calamity is. All these allusions to Biblical losses: is he counting them as loss? Is the Gomorrah within depraved or noble? Did Esau actually get a good deal? I wonder if Dan’s internalizing all of history, from the tales of Genesis (“Here’s to your birthright for beans”), to the conquests of Alexander the Great (“Here’s to the phalanges march”); he claims all these as the “wasteland within,” and he ends up with “a hambone I longingly clutch” and a longing to have “something you’re born to.” In just three verses, he brilliantly roams amongst multi-layered and multi-sourced oral and written legend, and ultimately brings it back to a solitary picture of a man in the desert.

Dan Philips: Calamity

Evening Commute

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In the morning I listen to the Ed Norris Show, but in the evening it’s usually tunes to carry me home. Here then are three songs that have emerged as favorites during my evening commute this week. All have gotten the repeat treatment, and all have taken the edge off of the congestion. All are from relatively high-profile 2009 indie rock releases, hyped on many blogs for months before I ever got around to them. Subanimal Sounds makes no claim of being on the cutting edge of obscure. My hope is that I have some readers who are likewise on the fringe and can benefit from these recommendations:

Phoenix: Fences
Grizzly Bear: Two Weeks
Dirty Projectors: The Bride

I am asking for readers to comment and list three recent commute favorites of their own, and I might even listen and follow up in a “From A Friend” post.

Sleep; Part 2

mbvSleep thoughts installment #2, from an early/mid-1990s Simon Reynolds interview with Kevin Shields:

“The things I experienced were quite unreal. I’ve been totally out there. I can honestly say I’ve experienced everything Aldous Huxley wrote about in The Doors Of Perception. Drugs–specifically marijuana–played their part.” Shields says a book called Hypnogogia “literally saved me and made me feel sane.” Hypnogogia is the term for that state just before sleep where you have brief surreal flashes of scenes, almost like cartoons. Reading the book (the author’s name escapes Kevin), Shields found an explanation for his insomniac habits and aesthetic preoccupations. The author makes parallels between hypnogogia and all the other extremes of the human mind, mystical and drugged. Basically, there’s a door to another type of consciousness and it’s open all the time.

“When You Sleep” is not my favorite Loveless track, but I’m glad to post it for two reasons (apart from its obvious relevance to the “sleep” series of posts I’m doing): 1. A while back I did some jiggery-pokery on the track (utlizing out of phase stereo) that brought up in the mix ever so slightly a wibbly-wobbly guitar part that had been buried; and 2. there’s a neat cover of the song by The Antlers to point out as well (see the Mockingbirds page).

My Bloody Valentine: When You Sleep

Summer Songs

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Here are some summer songs to chronicle the warm night on my back deck as I contemplate blogging, creating, and living under the bright sun.

Grandaddy: Summer Here Kids

Grandaddy’s take on summer is an understandable bristling against the commercialism of the boardwalks and beach spots, compelling us to stay at home and listen to our favorite records. OK, I can see that, to a point, but I do want to get out there with like-minded celebrators. While I’m home, though, it’s not a bad idea to put on some records…

Pedro The Lion: Indian Summer

Moving gently from the cyncial starting point, we begin with Pedro The Lion’s nod to “ultra-violet rays” spreading over a bleak, commercial suburbia bloated with “corporate cum.” The announcement that “it will never rain again” is classic indie-rock sardonicism. Well, whatever, I can’t really deny the truthfulness herein. But I’m still in search of some light-hearted fun…

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Belle & Sebastian: I Know Where The Summer Goes

Stuart Murdoch takes us into lighter territory, if not altogether fun, but he helps us reconcile the humid, laconic wistfulness with the unspoken hopes of triumph. “The boy came from nowhere to steal the hearts from lassies in the lavvies of the club tonight.” What could be a more satisfying Cinderella story than that?

Throwing Muses: Summer St.

Let me state right off that, as usual, I’m not entirely sure what Kristin Hersh is on about here, but the feeling is right. In the haze of summer, the body is lonesome, and yet not. This, I think, is a song of solitary, gentle hope. I will take the exhortation to “drink to the sun” literally.

Animal Collective: Summertime Clothes

Ah, this is getting closer. Sweat everywhere. Mosquitos too, probably. And then the call of a summer girl. “I want to walk around with you.” Yes, let’s.

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The Beach Boys: All Summer Long

Could I have ended this post with any other song? Absolutely not. It starts and ends with Brian Wilson’s majestic celebration.

Dave Crozier

crozier2Turns out a good friend of mine can write and record perfect pop gems. “Judy’s In My Head” is as good as it gets when it comes to working your way out of the weeds of a one-sided relationship. When one person calls the shots and shoots down the rest, the other person dies. We’ve all been there. It’s not a matter of being strong. You can be Atlas, carrying more than you can answer for, and you can build up quite a physique that way. You get pretty damn strong. But in the end, why should you lift that load? Being sweet and pure and creative and true — that is light stuff. I decided recently to let the world drop, and to be myself. A relationship ended in the process. I have to admit that the echoes are still there. Judy is still in my head, “telling me what to do.” But I no longer “play Prince Charles to her Queen Elizabeth.” I am much lighter now.

Dave Crozier: Judy’s In My Head
Dave Crozier: Her Heart’s Inside A Circle

Energy is a priceless commodity. We burn it away on lost causes and second-rate concerns, and then we wonder why we’re left staring at a blank page. Tonight I tried (and failed, for the moment anyway) to create something positive, something lyrical. But I’m still building up flex in my muscles. I’ve held the world on my shoulders, and I built up bulk, but I don’t have the speed. In Crozier’s “The Last 20 Saturday Nights,” the singer is not a man who’s light on his feet. He’s a man who doesn’t believe in regrets, yet is left looking at the past. Dave Crozier is one of the fiercest men I know. Not in the usual gnarly teeth manner, mind you. He’s just utterly convinced of the need to forge into the fiery here and now, and he doesn’t buy into the culture of vicitimization. Good for him. We are all responsible for ourselves, and for making something slightly less flimsy out of the straw huts we live in. It’s that pursuit that we need to focus our energy on. Sometimes it means pausing, going slow for a moment, “staring at the stairs on [the] way up to the second floor.” No need to beat ourselves up when we get side-tracked by external dead-ends and “unholy marriages of ABBA and Sting” in our desperate searches for inspiration. After all, as Dave reminds us, “I’m not the only one who walked away when everything went wrong.” Just keep going, Mr. Crozier.

Dave Crozier: The Last 20 Saturday Nights
Dave Crozier: Staring At The Stairs

Dog On The Sidewalk

dogonthesidewalkDeerhoof: Dog On The Sidewalk