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Category Archives: Echo & The Bunnymen

The Beliefs of Catbirdman

The likelihood of getting chills while listening to music decreases with age. During our more formative years, while we’re coloring in the pieces of our holistic selves, it’s easier to find a new piece that we haven’t seen before, and to be thrilled by it. The word “chills” implies terror, and great music brings that. It more or less opens a wormhole, usually through emotional channels, that allows one to peer directly, fleetingly, into a chasm of truth and beauty.

 

Readers of this blog will understand that I, Catbirdman, will show a tendency towards the dramatic from time to time. The language of Keats, while mechanically far beyond my technical scope, will inform the belief system upon which Subanimal Sounds is based. I am not afraid to think big or talk big, and to embrace the naiveté to believe it.

 

I do believe in spirit and in the unfathomable double-sided coin of wholeness and despair. I believe that such spiritual states can have physical make-up, and that they can be sensed. I believe that it is good to listen, and not to turn your ear away, when a chill of terror takes hold. Underneath all of that, I believe we should respond with love to others, in an effort to help them hear their own music.

 

These beliefs can be apocalyptic, in the sense that a person can undergo a sea change. There is slow evolution, and there are sudden mutations, epiphanies. But Point Z can appear to be a universe away from Point A. Worlds do end and others begin. Again, I turn to the clean prophet, Mr. Lee Mavers:

 

Love is all

The world will fall

And this is all we came here for

I hear the ever-distant

Callin’ All

If I am Love’s assistant then I bawl:

“If all the world should fall then let it fall”

 

And another oft-quoted (by me) lyric from Ian McCulloch:

 

Aim for stars and hit the sky.

 

It’s a fool’s errand to be sure, to aim for the unattainable. But that’s what the best music does, so why should a music blog be any different? This is a music blog, and as such, we will be listening on this blog. There will be “For A Friend” posts and “From A Friend” posts. We are all informed by each other. I will continue to prod for comments and increased readership, even if I grow old doing it.

 

Subanimal sounds are those reverberations of the unseen, the exercises of spirit. They are the vestiges of the chills, the burnt image of beauty, like sunspots on the retina. As soon as you look at beauty, it’s gone. But the subanimal sounds are left in its wake, and are captured here, poorly and crudely. But it’s something.

For A Friend #005

Stereolab taps into the Pulse

Stereolab taps into the Pulse

Tonight’s post is for an old friend of mine named Thad. He used to play guitar on stage with me back in ye olde salad days. We influenced each other quite a lot musically. From him, I got a general openness to musical delight. I credit mainly him and Kurt Lightner for that. They showed me that you can be a sponge, sucking up any old muck, and at the same time you can have standards. I was so stuck on a twisted definition of what was “cool” and what wasn’t.

What did Thad get from me? Ultimately you’d have to ask him, but I will relate one thing he once said in mixed company. He credited me for being the conduit to the appreciation of the Sacred Eighth Note. I suppose it really took off with the Velvet Underground (and someone – Crozier? – please chime in with a half-remembered quotation … was it Lou Reed who first spoke of this?), but it’s a hallmark of the post-punk era, it has resurfaced like clockwork every ten years or so, and it has remained my heartbeat ever since the teenage years. It’s a monotony, it’s a haze, it’s the sound of getting lost in music. It’s the Eighth Note Pulse. All hail.

I asked Thad what he remembered most about our shared musical experiences, and he mentioned some of the music posted below. So to Thad, then…

Thad, I had great, formative times with you. Thanks for helping me embrace my cool and for sharing in it. Tonight, I’ll post some songs that conjure up that aesthetic, and later, anytime after tonight in fact, you can check in on this blog, and chances are I will be posting some marvellous shapes and colors that I might have remained closed to had it not been for your generous spirit.

I’ve attempted to trace this religious rhythm at various touchpoints through recent years, starting with the Velvet Underground (the original?), and on to Joy Division (perfectors of the post-punk signature, and suitably, they carry the Pulse on the bass), Echo & The Bunnymen (close echoes and a seminal example in “Back Of Love”), the Cocteau Twins (progenitors of the ’90s shoegaze swell), the Boo Radleys (the most inventive of the shoegazers), and ending with Interpol (the original resuscitators of the ‘Aughts). From Interpol onwards, it just gets crazy, as do many things, with the profileration of ideas brought on by the Information Age. Further below, I’ve posted a fine example of the mantra in the Soft Pack’s double-sided package of bliss. And anyone who has ever namechecked the Arcade Fire will testify that the Eighth Note beats on. Much to our delight.

And please, let us all know what I have overlooked.

Velvet Underground: I’m Waiting For The Man
Joy Division: Transmission
Echo & The Bunnymen: The Back Of Love
Cocteau Twins: Cherry-Coloured Funk
Boo Radleys: Skyscraper
Interpol: Obstacle 2